Mary Kelly: Early Work, 1973-76, Pippy Houldsworth Gallery, London, April 14-May 31, 2016
for more information please visit: Pippy Houldsworth Gallery >>
Circa Trilogy, Susanne Vielmetter Los Angeles Projects, April 23-May 28, 2016
SUSANNE VIELMETTER LOS ANGELES PROJECTS
April 23 – May 28, 2016
Reception: Saturday, April 23, 6 – 8 PM
Susanne Vielmetter Los Angeles Projects is pleased to announce our first exhibition with celebrated conceptual artist, Mary Kelly. Opening on April 23, 2016, CIRCA TRILOGY presents a newly completed project that addresses the meaning of an historical era shaped by the events of 1968.
The Trilogy includes three large works in compressed lint: Circa 1968 (2004), Circa 1940 (2015), and Circa 2011 (2016). In each work, Kelly appropriates and reinterprets an iconic archival image through the lens of generational memory. The images that Kelly has selected are synecdochical; while they represent certain moments of The Blitz, the student uprisings of 68, or the Arab Spring, they encapsulate the wider historical narratives of these major events both in their ubiquity and the way their specific aesthetics communicate the image environment of the time. In the installation, light noise is projected onto the lint, creating an uncanny resemblance to black and white film of the forties, grainy video of the sixties, or the glare of a contemporary computer screen. Kelly’s concept of history as a lived relation to the past is concerned with materializing affect as much as fact, and her working process is intensely durational. Individual units of compressed lint are cast in the filter screen of a domestic dryer over several months and hundreds of washing cycles; then assembled as large panels of low relief. Each work also is paired with a letterpress print, consisting of a diagram and text by the artist, that composes a “tour” of the lint image, and provides a score for a performance by the artist collective My Barbarian and cellist, Betsy Rettig, during the exhibition opening.
Circa 1940 is based on an iconic photograph of London during the Blitz. Three men, reading books in the ruins of the Holland House Library, are posed to suggest a moment of transcendence amid the chaos. Kelly describes this moment, not long before she was born, as the political primal scene for her generation, underpinning the anti-war protests of the 1960s. Circa 1968 adopts Jean Pierre Rey’s famous picture of Paris, in May, just before the general strike. In a direct reference to Delacroix’s “Liberty Guiding the People,” a young woman hoists a flag, held aloft by a male companion. She appears trapped by the role she tries to portray, yet sets a precedent for the legal and personal empowerment of women through the feminist movement of the early 1970’s. Around this time, many of the women involved in that movement had children, and it was their curiosity about 1968, as young adults, that Kelly says motivated her to undertake this project. Circa 2011 draws on the abundant, but often anonymous, images of the encampment in Tahrir Square during the Arab Spring. Before the military takeover, at the highpoint of the revolution, when aspirations to form a secular and democratic government still seemed possible to achieve, these images brought back memories of 1968, but events proved otherwise. This final work is far more abstract than the previous two, reflecting not only the difference of the past and opacity of the present, but also an aesthetic shift from the carefully curated, posed pictures that shape our recollection of 20th century events to the vast networks of images from cellular phones that combine in our memories to describe current circumstances.
In addition to the Circa Trilogy, Kelly will present a series of smaller lint works that reference the covers of 7 Days, a short-lived weekly newspaper founded by an alliance of women engaged in feminist politics and men in the self-styled ‘revolutionary left.’ They aimed to establish parity in the production process and give full support to the Women’s Liberation Movement. Launched in October 1971, 7 Days ran until May 1972, and during that time, Kelly contributed articles and illustrations to several issues. These images and headlines present a far more specific and mundane chronicle of the events that defined the early years of women’s liberation in contrast to the archetypal images presented in the larger works.
Production of the works in CIRCA TRILOGY was supported by a 2015 John Simon Guggenheim Fellowship. Mary Kelly (b. 1941) is one of the most influential American conceptual artists. She has had significant solo exhibitions at the Whitworth Gallery, Manchester, UK; the Santa Monica Museum, Santa Monica, CA; the New Museum of Contemporary Art, New York, NY; the Generali Foundation, Vienna, Austria; the Moderna Museet, Stockholm, Sweden; the Center for Contemporary Art, Ujadowski Castle, Warsaw, Poland; and the Institute for Contemporary Art, London, UK. Recent noteworthy group exhibitions include “Take It or Leave It: Institution, Image Ideology,” Hammer Museum, Los Angeles, CA; “Women and Work,” Tate Britain, London, UK; “Ends of the Earth: Land Art to 1974.” Museum of Contemporary Art, Los Angeles, CA; “This Will Have Been: Art, Love and Politics in the 1980’s,” Museum of Contemporary Art, Chicago, IL; “Wack! Art and the Feminist Revolution,” Museum of Contemporary Art, Los Angeles, CA; and “Documenta 12,” Kassel, Germany.
Susanne Vielmetter Los Angeles Projects is located at 6006 Washington Blvd in Culver City, 1 block west of La Cienega at Sentney Avenue.
Gallery Hours are Tuesday through Saturday from 10 am - 6 pm and by appointment.
6006 Washington Boulevard, Culver City, California 90232 phone 310.837-2117 www.vielmetter.com
Post-Partum Document in Conceptual Art in Britain 1964-1979, Tate Britain, London, April 12-August 29, 2016
Women and Work, in the Inaugural Exhibition, Switch House Gallery, Tate Modern, London, opening June 15, 2016
An Earthwork Performed in A lesson in Sculpture with John Latham, Henry Moore Institute, Leeds, March 24-June19, 2016
Mary Kelly has been named a 2015 Fellow of the John Simon Guggenheim Memorial Foundation
Mary Kelly in Conversation with Hans-Ulrich Obrist
Tate Modern, Starr Auditorium, May 22, 2015
For more information please visit the following link:
Tate Modern >>
A Voice Remains
Pippy Houldsworth Gallery, April 24 - May 30, 2015
For more information please visit the following link:
Ends of The Earth: Land Art to 1974,
Museum of Contemporary Art, The Geffen Contemporary, Los Angeles, until September 3, 2012; Haus der Kunst, Munich, October 11, 2012 - February 15, 2013
co-curated by Philipp Kaiser and Miwon Kwon.
This Will Have Been: Art, Love and Politics in the 1980ʼs
Institute of Contemporary Art, Boston, November 16, 2012- March 3, 2013
Walker Art Center, Minneapolis, June 30 until September 30, 2012;
Museum of Contemporary Art, Chicago, February 11–June 3, 2012
Curated by Helen Molesworth.
For more information please visit the following links:
Institute of Contemporary Art, Boston >>
Walker Art Center >>
Museum of Contemporary Art, Chicago >>
ARTspace Annual Distinguished Artists’ Interviews: Mary Kelly and Martin Kersels
College Art Association, 100th Annual Conference
Los Angeles Convention Center,
West Hall Meeting Room 515A, Level 2,
1201 South Figueroa Street, Los Angeles, CA,
Friday, February 24 2:30–5:00 PM
Mary Kelly Projects 1973 - 2010
Whitworth Art Gallery
The University of Manchester
Manchester, United Kingdom
February 19 - June 12, 2011
Four decades of projects by American artist Mary Kelly are brought together in the most comprehensive exhibition of her work ever presented. As much about everyday experiences as historic events, Kelly's art makes the personal political.From Post-Partum Document (1973 - 79), the series about motherhood that provoked tabloid outrage in 1976 because of its presentation of stained nappies, to more recent intallations about feminism like Love Songs (2005 - 7), the exhibition traces the artist's enduring commitment to women's narratives. The celebratory glow of Multi-Story House (2007) invites visitors to step inside and read the intergenerational dialogue patterning its walls. The impact of conflict and war also runs through the exhibition. The polished shields and trophies of Gloria Patri (19932), quoting soldiers in Iraq, are hung high like a heraldic display. The Ballad of Kastriot Rexhepi (2001) about a child lost and found during the Kosovo war, makes a continuous sweep around the gallery walls. Kelly's most recent commission unifies her long-term questions about how history shapes us; the bomb shelter-like Habitus (2010) is 'corrugated' with the memories of people born around the Second World War, legible only by looking into its mirrored floor. Mary Kelly's work reflects back to us how we remember and talk about our experiences, from world wars to daily struggles.
The Ballad of Kastriot Rexhepi
Saturday 19 February, 12noon and 2pm, Free
The Ballad of Kastriot Rexhepi is a collaboration between Mary Kelly and composer Michael Nyman. Nyman's haunting score will be performed live in the gallery installation, by the Michael Nyman Quartet and soprano Marie Angel.
Saturday 5 March, 2pm, Free
Tuesday 15 March, 2pm, Free
A friendly and informal guide to the exhibition, led by Curator Dominique Heyse-Moore.
Centenary of International Women's Day
Tuesday 8 March, 3.30 - 5pm, Free
Look around Love Songs, Mary Kelly's celebration of the Women's Movement, and help us mark the 100th International Women's Day.
Dialogic Space: Mary Kelly at the Whitworth Art Gallery
Day Symposium: Saturday 26 March, 10am - 5pm, tickets £25 / £12 concessions
Mary Kelly, Juli Carson, Carol Mavor, Laura Mulvey and Griselda Pollock will talk about the artist's work, concluding with a roundtable discussion chaired by Janet Wolff.
Organised in collaboration with the Centre for Interdisciplinary Research in the Arts (CIDRA), with the support of Art History and Visual Studies & Cultural Theory Unit, The University of Manchester.
After Hours Screening: Nightcleaners
Thursday 19 May, 6 - 9pm
Film starts at 7pm, free
The Gallery will be open late for you to look at the exhibition, enjoy a drink and watch Nightcleaners, a key documentary of the 1970s by members of the Berwick Street Collective (including Mary Kelly) about the campaign to unionise the victimised and underpaid women who cleaned offices at night.
For more information, please visit theWhitworth Art Gallery Educator Resource >>
Four Works in Dialogue 1973 - 2010
Moderna Museet, Stockholm, Sweden
16 October 2010 - 23 January 2011
Curated by Cecilia Widenheim
Over the years, Mary Kelly has developed a unique way of combining personal narratives with a subtle humor and a critically analytical approach in her large–scale installations. In connection with Moderna Museet’s project “The Second Museum of Our Wishes”, one part of Mary Kelly’s major ground-breaking work Post-Partum Document (1973-79) was acquired for the Moderna Museet collection. Post-Partum Document was completed over a period of sixyears and shows how a child, the artist’s son, gradually masters language in a mutual process of socialization between mother and child in the first few years of life. This is the first time Post-Partum Document will have been shown in its entirety in an exhibition in Sweden.
A deep interest in history and time can be found throughout Mary Kelly’s oeuvre. The exhibition FOUR WORKS IN DIALOGUE includes TheBallad of Kastriot Rexhepi (2001), Multi-Story House(2007) and a new work, Habitus, commissioned for this venue. Presenting her seminal project from the 1970s together with the later work, generates an exchange between two moments in history, alternative views of collective memory, different iterations of the mother-and-child relationship and co-incident forms of identity.
For more information, please visit the Moderna Museet’s website > >